Saturday, January 5, 2019

Review: Do the Dead Dream?: An Anthology of the Weird and the Peculiar

Do the Dead Dream?: An Anthology of the Weird and the Peculiar Do the Dead Dream?: An Anthology of the Weird and the Peculiar by F P Dorchak
My rating: 3 of 5 stars

Do the Dead Dream is an eclectic collection of short stories by F.P. Dorchak that is diverse in both subject matter and quality. These horror vignettes run the gamut from cheesy to brilliant, mediocre to genius. In all, there are 499 pages that span Dorchak’s prolific career thus far.

The first in the anthology is “The Wreck”, written in 2000. The reader is treated to an underwater piece of suspense that showcases the author’s knowledge of scuba diving and what lies beneath the water. As the stories progress, in no particular order that I could discern, the writing continues to highlight Dorchak’s vast store of knowledge about a wide variety of subjects, including sky diving (“Freefallin’”, 2004), the Civil War (“Etched in Stone”, 1991), and even fitness via a gym (“Behind Things”, 2017).

It is clear that Dorchak’s style and command of the genre has morphed and grown over the years. In some of the early work, the writing is at times clunky and awkward, the dialogue stilted and contrived (“Blue Diamond Exit, Mile Marker 15”, 1989). Much is also self indulgent and unwieldy which made it hard to focus. The later stories, however, see the development of a refined approach that is both smoother and more relaxed (“The Red Envelope”, 2003). The inner dialogue in “The Red Envelope” is in fact so well done that the reader is easily able to invest in the character from the very first page, a rare feat only accomplished by only a small cadre of authors.

Another story that particularly stood out was “What Dreams Are Made Of”, written in 1994. It’s a quirky little Twilight-Zoneesque read that develops an atmosphere that is surreal and dreamlike. The inclusion of familial elements and relationships to contrast the later disturbing events was a balancing act that was extraordinarily well done. Additionally, the parenthetical inclusions added beautifully to the otherworldly element. From a literary standpoint, I found it to be the most interesting story of the lot, even if the conclusion was fairly abrupt and predictable.

What struck me overall was Dorchak’s ability to tell a story in as little as ten lines, as is the case in “The Ballad of fReD BeAn” from 1988. I would have loved to see this fleshed out into a more full blown narrative, but even those ten lines managed to raise a few goosebumps. Some of his work would, though, have benefited from this more austere approach. These, however, are the benefits of an accomplished editor, something I think was missing.

With a style that is a little e.e. cummings, a little Hitchcock, a little Stephen King, Dorchak catapults himself to within a breath of that respected circle of horror writers as he continues to hone his talent. All in all, an anthology well worth the read, but with a focus upon the later work. Thanks to NetGalley and Wailing Loon for providing me a copy for review. I will be anxiously awaiting Dorchak’s next installments!

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Friday, January 4, 2019

Review: What Have You Done

What Have You Done What Have You Done by Matthew Farrell
My rating: 2 of 5 stars

This novel is many things. Unfortunately, “good” isn’t one of them, and I find myself confounded at the more generous ratings. I tried to find some redeeming qualities to temper my disappointment but came up empty. What Have You Done manages to regurgitate every suspense-fiction cliche through the actions of unlikeable characters who spew tired dialogue that overflows with repetitive word choices. And if you think that sentence was bad, after reading this novel, you will find it literary genius by comparison.

The story is one of two brothers, Liam and Sean, who escape the murderous intentions of their mother, grow up with their grandparents, and then take separate paths to join the police force—one as an officer, the other as a forensics specialist. Liam awakens one morning and can’t recall what happened the night before. When he discovers his mistress was murdered during his black out, he becomes convinced he may have killed her. Together, he and Sean search for the truth that could destroy them both.

So let’s talk about those cliches—you know, the ones they tell writers to avoid in Writing Suspense Books 101? Law enforcement partners covering for each another and citing the thin, blue line? It’s here! Memory loss and black outs? Yep! A seedy hotel with a seedier hotel owner? Uh huh. An altruistic officer who is sacrificed to further the plot? You bet! A scorned wife and dead mistress? They both make an appearance. A geeky, greasy outcast who is a computer genius? He is here as well. The list just goes on and on ad nauseam.

If the cliches mentioned at least involved likable characters, it may have been palatable. Unfortunately, MC Liam is a cheating husband; his brother Sean, a sadist; his wife Vanessa, a self-absorbed whiny spouse. By the time the book hit the 50% mark, I was ready to toss the whole thing into that GR black hole known as the DNF shelf. I didn’t give a rat’s ass what became of any of them.

I did soldier through to the end and would be remiss if I didn’t mention what is presumably the author’s favorite word: scurry. People “scurried” down streets and characters “scurried” home with disturbing regularity. I kept hoping the author would “scurry” to a thesaurus. Yeah, nope.

This was my first, and last, experience with this author. Two stars for at least some semblance of structure. Beyond that, however, all hope was lost.







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Review: Turning Secrets

Turning Secrets Turning Secrets by Brenda Chapman
My rating: 4 of 5 stars

Turning Secrets is the most recent installment (Book Six) in the Stonechild and Rouleau Mystery series by author Brendan Chapman. It is nothing short of an incredible read, with a plausible plot, well-developed characters, and detailed settings that cleverly reflect the tone.

Those familiar with the series will most certainly recognize many of the characters. MC Officer Kala Stonechild and colleagues return to solve a crime, this time called upon to investigate the death of a young mother, Nadia Armstrong. At first blush, it appears Armstrong has taken her own life by leaping from the sixth floor of a construction site. Closer examination, however, reveals injuries inconsistent with a fall, and the entire Kingston Major Crimes team soon becomes convinced that what looks like a suicide is actually a murder. The closer the team gets to solving the case, the more dangerous it becomes, and the race to the finish is one that is full of suspense and unexpected revelations.

Chapman opens with alternating chapters written in third person, each initially focusing upon a different narrative. For those unfamiliar with the series, it can be a bit overwhelming, as nearly twenty characters are introduced in just the first twenty or so pages. As seemingly unrelated scenes play out, however, the characters settle in, and the reader is drawn into a variety of story lines that eventually collide. At the heart is the recurring theme of unscrupulous men who prey upon vulnerable women. Casualties of domestic abuse, human trafficking and prostitution are all painted with gentle and forgiving brush strokes that elicit both sympathy and empathy from the reader. Chapman brings to life these characters in a way that guides the reader to fully invest and be moved by the circumstances. One can’t help but feel the desperation of the single mother, the troubled teen or the wayward father, as they are brought together like interlocking puzzle pieces until finally the larger picture is revealed.

The final genius of the book is in Chapman’s ability to create settings that brilliantly reflect the tenor of each scene. The security of Stonechild’s home is supported by the soothing descriptions of the water and Canadian wilderness surrounding it. The stark nature of an apartment building adds to the tragedy of the victim who lived there. The chaos and filth of a house reinforces the brutality of the man who calls it home. This pattern is one that, once recognized, adds to a fuller appreciation of the novel.

Overall, this was a wonderful read that can be equally enjoyed by those who follow the series and those who are new to it. It stands alone, though background knowledge provided in previous installments will add depth and continuity to the experience. I am grateful to NetGalley and Dundurn Press for providing me with an ARC for review. I am already looking forward to the next book!

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Review: Blood for Blood

Blood for Blood Blood for Blood by Victoria Selman
My rating: 3 of 5 stars

Blood for Blood was both a page-turner and a disappointment. What began as an edge-of-your-seat read quickly deteriorated into a muddled pool of feints and missteps.

The book starts on a commuter train where Ziba MacKenzie is engaged in people-watching. It’s clear that she is keenly observant as she relates the minute details of her fellow passengers and silently passes judgement on each. The reader learns that MacKenzie is a successful independent “profiler”, in the process of emerging from her grief over her husband’s murder. When the train then crashes, the results are grisly. MacKenzie springs into action, drawing strength and knowledge from her time in the special forces, helping where she can in spite of her own injuries. As one woman lay dying, her final words draw MacKenzie into a quest for truth that eventually becomes intertwined in a serial killer case upon which she is called to work with Scotland Yard.

Author Victoria Selman does a great job setting the tone and breathing life into Ziba MacKenzie. It is in that character, however, that the first cracks in the armor appear. Selman is so intent on sharing her own vast store of knowledge regarding serial killers that every time MacKenzie speaks, she shares another fact that adds nothing to the read. Almost every mass murderer in history is given a moment in the spotlight. I found myself gritting my teeth whilst at the same time wanting to pen a note to the author that said, “OK, we get it! You’ve done your research! Move along!”

The second downfall is in the author’s attempts to resolve the red herrings she has introduced. I understand the need to tie up loose ends, but here they come off as extremely contrived. Every minor character suddenly reveals secrets about which I couldn’t have cared less. There was never any courted investment in those people to garner interest in the explanations for their behavior.

The final issue is one that involves a spoiler. (view spoiler) It was a huge miscalculation on Selman’s part to be so detail-oriented and then ignore such critical holes in the story.

In the end, I did finish the novel, but not without some misgivings and a boatload of questions that remained unanswered. Selman is clearly in command of the language and is great with dialogue. For those with a keen interest in serial killers, there is enough here to keep you reading. For those who indulge in the mystery genre, however, this one just falls short.

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Review: Citizen Vince

Citizen Vince Citizen Vince by Jess Walter
My rating: 4 of 5 stars

Once again, Jess Walter has managed to break my heart. Citizen Vince was a great, though not particularly enjoyable, read. Walter manages to infuse his uniquely dark humor into a tragedy that at times veers to an existential condemnation of the lives we lead, then turns to a blinding realization that maybe the simplest dreams are the ones that make life worth living.

Vince Camden is a petty thief, though not of the garden variety. He is smart, charming, and introspective. He is also living in Spokane, in the witness protection program, making donuts by day and fencing stolen credit cards, gambling and indulging hookers by night. The story is that of Camden’s attempts to seek salvation from his past and redemption from those he has wronged. In the process, he embarks upon a journey of self-discovery that forces him to question his life and all he has ever hoped to become.

Vince Camden’s exploration of self is brilliantly juxtaposed with the 1980 presidential election. Camden is given, for the first time, the right to vote, and sees it as a responsibility that leads him on a quest for more information. Who are these men on the ballot? What do they stand for? How will his vote have an effect on the climate of the country? Walter then crawls inside the minds of Carter and Reagan, painting one as a man who has seen himself through the eyes of those he represents and the other as a hawkish and aged maverick. Whilst Carter may be in a position worlds away from Camden’s own, the similarities are unmistakable. Both men feel the sting of realizing how others view them, and both make decisions to stay true to the men they profess to be in spite of the profound losses they incur.

Walter’s writing is impeccable and flows seamlessly from page to page in complicated sentence structures which support a mood that is depressingly dismal. Acts of overt violence pepper the pages, and the promise of the American Dream is hammered bloody. Vince Camden is drawn as a man for whom we are compelled to cheer and also feel great sympathy. The world has failed him in the same way it has failed those around him, and the point is drilled home that life just isn’t fair. Choices aside, no one ever really had a chance when faced with destiny and human nature.

In terms of plot, structure, character development and tone, Jess Walter delivers a piece of literary fiction that is pure genius and worthy of all the stars. Reading it, however, is an exercise that is drenched in angst and hopelessness. Keep a glass of bourbon close, and keep telling yourself that it’s only a book; but damn it, life is indeed just so unfair—for Vince Camden and, often, the rest of us.

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Review: 2018 on Goodreads

2018 on Goodreads 2018 on Goodreads by Various
My rating: 5 of 5 stars

Although I’ve been a GR member for many years, 2018 marked my first attempts at reviewing here. I expected to find an outlet for my frustrations with pieces I hated and a way to share my passion for those I loved. What I didn’t expect was to find a community of like-minded bookworms, eager to also share their own experiences. It has been validating and exciting to make such profound connections. In addition, I’ve also discovered that by accepting the responsibility to review, I’ve paid far more attention to what I read. I notice details and nuances that I would have missed just a year ago. With all of that said, I’m sharing my top 10 reads for 2018, and I’m sending a heartfelt Happy New Year to each and every one of you! Thank you for teaching me the secret handshake and accepting me into the fold.

10. Relatively Normal by Whitney Dineen

9. The Way the World Ends by Jess Walter

8. The Great Escape by Jo Watson

7. Method 15/33 by Shannon Kirk

6. Nine Perfect Strangers by Liane Moriarty

5. Bird Box by Josh Malerman

4. The Last Days of Jack Sparks by Jason Arnopp

3. Beautiful Ruins by Jess Walter

2. The Financial Lives of the Poets by Jess Walter

1. The Hate U Give by Angie Thomas ~ This was the most profound read of the year for me. It overwhelmed me to the point of not even being able to pen a review for fear of not doing it justice. If you haven’t read this, you absolutely MUST!

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Review: The Second Death of Daedalus Mole

The Second Death of Daedalus Mole The Second Death of Daedalus Mole by Niall Slater
My rating: 3 of 5 stars

This book is a decided break from my usual genres of choice and one of the few sci-fi novels in which I’ve engaged. I’m grateful to NetGalley and Unbound for the opportunity.

The Second Death of Daedalus Mole is a winding read, full of literary wordsmithing that ebbs and flows with figurative language and inventive vocabulary. The author dives right in, creating a world of alien creatures that cohabitate in an uneasy peace that is warily embraced and easily disturbed.

From the onset, the nod to the mythological Daedalus is apparent, as the protagonist escapes the villainous Aggro, reflective of the Greek character and his clever run from King Minos. There is also a satirical bent, for Homer refers to daidala as stunning, well-crafted objects—the antithesis of the physically and mentally disheveled Daedalus Mole.

In relating this space-travel tale, the author develops a rich and foreign vocabulary that is revealed to the reader through context and inference. Whilst the lexicon is skillful, it is at times difficult to focus on the narrative, as so much attention is necessary to unravel the unfamiliar tongue. This may be in part my own weakness, but I did find it to be a rough go. In addition to the unique language, however, the author fully embraces and beautifully utilizes plain old English.

”A sea of bright yellow grass-stalks blew to and fro in the gentle Pyrian wind. Wide swaths of temperate grassland stretched for miles and miles around, punctuated by small sandstone boulders and twisted brown trees. Furry, crab-like creatures clung with tiny claws to the underside of their branches and their fluffy nests dangled from the tips on short lengths of yarn, swinging slowly in the breeze. Long ferrety marsupials crouched in burrows beneath orange rocks. Pairs of bushy yellow tails poked partway out of their burrows, and little noses sniffed nervously at the air.”

It is in this talent to create a detailed and lush setting that the author excels.

Beyond the superb craftsmanship of the writing, things fell apart. The book just took too long to get where it was going and even then didn’t reveal any intent. In many novels, the plot is the star often dimmed by the author’s lack of ability to convey it. Here I found just the opposite—a talented writer with nowhere to go. The less-than-stellar closing just reinforced for me the fact that writer had either run out of steam and just stopped or that he is planning a sequel. Either way, it felt like a betrayal after the time invested in reading.

For hard-core sci-fi fans who engage in serial reads, this piece may well provide a foundation upon which the author will be able to build future episodes. As a stand alone, though, and beyond the incredible use of language, this just doesn’t pass muster.

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Review: It All Started

It All Started It All Started by R.S. Merritt
My rating: 3 of 5 stars

Zournal is a read I approached with some trepidation. Several reviews billed it as atrocious, though a few offered sterling praise. I have landed firmly in the middle.

First, the premise is one that works. Twenty-something Steve wakes with a horrendous hangover to discover that the world outside his Florida apartment has gone to hell. When it becomes clear that it’s too dangerous to stay where he is, he packs up and heads out for his parents’ cabin in Tennessee. The remainder of the book follows his perilous journey through a landscape infested with Zombies.

What makes this novel unique is the humor that is woven into often vomit-inducing scenes of blood, guts and gore. Some pages read like dark comedy, delivered with biting wit, whilst others offer up throw away lines that made me laugh out loud. The author’s ability to toe the line between comedy and tragedy is definitely note-worthy.

Unfortunately, the book falls short in so many other ways. The format is presented as that of a journal, written in first person, as the main character makes his way out into the dangerous world of the apocalypse. In reality, the writing just doesn’t follow that prescription. Instead, it veers off into general storytelling, in one chapter even resorting to a third person retelling of events that the narrator would have had no way of knowing until far later.

The second shortcoming in is the number of errors in grammar, spelling and punctuation. There appears at the end of the book a note from the author indicating that, based on reader feedback, the work has gone through post-publication editing. I shudder to think about what it looked like before those changes. There is simply no excuse for an author not understanding the difference between “their” and “there”. That type of repeated mistake points to a writer who hasn’t engaged in a lot of reading in an effort to learn the craft.

A good editor would have turned this book up a notch and made it a worthy contender in the genre. As it is, I would recommend it as light reading—an exercise done to appreciate the author’s vivid imagination and humor. I am going to give Merritt another try, hoping that the style has matured. The foundation is definitely there.

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Review: The Wife Between Us

The Wife Between Us The Wife Between Us by Greer Hendricks
My rating: 4 of 5 stars

The Wife Between Us is, first and foremost, an enjoyable read that definitely kept me guessing! The characters are well developed, and the writing style is simple, fluid and comfortable. The single flaw was in the structure, though even that was not enough to dissuade me from racing to the end.

Co-authors Hendricks and Pekkanen are both new to me. What is clear is that they work well together. Each character, from the protagonist to the (ex)husband to the aunt, is believable even whilst not always likable. It is the flaws that are inherent in each, however, that allows the sustainability of suspense. One character’s drinking, paired with another’s “too good to be true” demeanor, means that either one is an unreliable narrator or that the other is truly a sadistic monster. It is in that ambiguity that the reader is mired and forced to search for clues. (If this seems muddled, it is because to be any more specific would mean spoiling one or more of the twists that popped up like that little animal in Whack-a-Mole.)

While the characters are the strength of the book, the structure is the weakness. The POV changes consistently, an obvious style choice to keep the reader guessing and slightly off balance, but a technique I found to be unnecessary and distracting. This was particularly bothersome in the epilogue, but to explain further would necessitate spoilers. Additionally, the constant movement from present to past, often within the same chapter or even the same page, made it sometimes difficult to follow. This was a book that didn’t rise to the literary level of one that made me want to invest time in thinking about it too deeply in order to discern some deeper meaning. It did, however, require that intense focus to sometimes just follow along.

All in all, I’m giving this one 3.5 stars, rounded up to 4, for a story that kept me turning the pages. Well worth the read.

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Review: The Reckoning

The Reckoning The Reckoning by John Grisham
My rating: 2 of 5 stars

417 pages. Four HUNDRED and seventeen pages. For a story that could have been told...in fact SHOULD have been told...in about 250, and that is being generous. I liken this novel to a trip I once took with my parents when I was a child. We drove from Pennsylvania to Florida to visit my grandparents. Along the way, my father thought he had some moral obligation to pay homage to every roadside attraction within 50 miles of our route. It was torture. So was this book. Every time Grisham seemed to return to the actual plot and gain momentum, another shiny object would grab his attention and send him racing in the opposite direction. It was maddening.

Fans of historic fiction will appreciate the prolonged and painfully detailed descriptions of the main character’s military experiences in WWII. Folks who thought they were buying the story billed in the summary will not. Seriously. Page after page after page about an American soldier captured by the Japanese, who then escapes and joins guerrilla fighters. Pages that added NOTHING in the way of furthering the plot.

I had other issues with this novel as well. The theme of segregation in the Deep South took such center stage that to miss the significance and not predict the outcome was virtually impossible. Additionally, the entire book alludes to a justifiable vengeance. In the end, it was, however, such an overreaction that every bit of sympathy, or sense of likability, I had built for the main character dissolved.

Clearly Grisham can write. He is an accomplished author with a huge and loyal fan base. Why he veered so far off the beaten path on this one is the true mystery. Two stars just because the writing was sound, but what a profound disappointment.

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Review: Sick Bastards

Sick Bastards Sick Bastards by Matt Shaw
My rating: 4 of 5 stars

**WARNING: This novel and this review contain disturbing content, including descriptions of explicit sex and depraved behavior. Please do not continue reading if you are offended or take issue with these topics. You’ve been warned. **







“I positioned myself on top of her and pushed in again....so wet and yet incredibly tight... I put my hand around her neck and squeezed hard—cutting off her air as she liked...

A knock on the door distracted us both. Before we’d a chance to hide ourselves, the door opened a crack and Mother stuck her head through. ‘I’ve been calling you for hours,’ she moaned. ‘Put your sister down! Dinner’s ready.’”


This is the incredibly disturbing scene that opens the novel Sick Bastards, one of the most depraved pieces I’ve ever read. If the book relied solely on shock value, I may have put it down and brushed my teeth to get rid of the bile that kept creeping up. Instead, there is actually a plot here that was pretty damn engaging once I got past my “OMG” moments.

The premise is that a “family” of four (the narrator and those referred to generically as Mother, Father and Sister) survives what they believe to be a nuclear attack. Nothing from before the event, including their own memories, exists except for a photo of the little family in what appears to be happier times. Together they stumble upon a house in the woods that was apparently abandoned by the previous tenants. They take up residence in the structure, living day to day scavenging for food, staying indoors to avoid the hellish creatures that dwell in the darkness. When the narrator, eventually identified as John, decides to strike out on his own in an effort to save himself and his family, the boundaries that define morality continue to disintegrate into tiny pieces that leave the reader aghast and nauseous.

The entire read is nightmarish and offers the reader a front row seat to an unveiling of the author’s twisted imagination. The details are myriad and specific, the shock value of which ratchets up with every page.

“My thumbs were the worst: blood, dark clotted gore and brains. I gave them a lick clean...”

Just when the reader is sure things can’t possibly get any more horrifying, the entire shit-show is suddenly illuminated by an entirely different spotlight—one that warps one’s perspective and calls into question everything believed to be just.

In spite of my visceral reactions to the incest, cannibalism and more, or perhaps BECAUSE of these reactions, I have to give props to Shaw. He was able to keep me turning pages even while I felt like vomiting. There’s something to be said for that, though I’m not sure what it is, or whether it reflects more upon me or the book itself—and that is probably the most stomach-churning twist of them all.

I won’t be looking to read anything else by this author, but four stars for the balls Shaw had to actually push this through publication. I can only imagine the hate mail.

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Review: Watching You

Watching You Watching You by Lisa Jewell
My rating: 3 of 5 stars

I anxiously awaited today’s release of this Lisa Jewell novel, then devoured it in one sitting. The first 75% of the book kept me rapt. The final chapters, however, just left me feeling somehow cheated. I kept waiting for a final twist that, when it came, was underwhelming.

The story is that of twenty-something Josephine (Joey) Mullen, a woman struggling to mature and at odds with her inner demons. Her marriage to Alfie is unfulfilling; her job less than desirable; her living arrangement one of dependence upon her brother Jack and his wife Rebecca for stability. When Joey meets local headmaster and neighbor Tom Fitzwilliam, something in her is ignited, and she begins to contemplate an affair. Their cat and mouse flirtations lay the foundation for the novel, upon which the author builds with secondary stories of Fitzwilliam’s students Bess and Jenna, his son Freddie and his wife Nicola. Themes of family loyalty, bullying and betrayal collide as the story builds to a climax that leaves one person dead and a plethora of associates as suspects.

Jewell’s writing is, as expected based on her prior work, spot on. She narrates so seamlessly that it’s easy to get swept away in the early pages. Her vivid descriptions of the “iconic painted houses” of Melville are particularly beautiful and breath life into the small village in which the story is set. The dialogue is equally well done: believable, authentic, and true to the personas created. The flaw is the characters themselves. They are wholly unlikeable—one more self-centered than the next. Joey is portrayed at times to be almost childlike; Rebecca, cold to the point of frost; and Tom, a potential predator. There are also elements of each character that just seem unnecessary and contrived. One character is on the spectrum, one talks to her dead mother and yet another exhibits classic signs of paranoid schizophrenia.

Finally, the twist was one that was predictable by about the half way mark. In tipping her hand so soon, Jewell lost momentum and never fully recovered. The final chapters held the promise of a brilliant reveal but instead stretched out an ending that was just “meh”.

All in all, a solid offering from an obviously talented author, but one that, in the end, failed to impress.

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Review: Bird Box

Bird Box Bird Box by Josh Malerman
My rating: 5 of 5 stars

Fear is a fascinating phenomenon. For many, it’s roots are fixed in childhood, where the darkness under the bed and behind closet doors holds unmentionable terror. As one then ages, that raw emotion again surfaces in the uncertainty of what exists beyond death—an unknown that forces one to cling to life no matter the cost. Bird Box manages to prey on that basic fear one experiences as a child, then builds to a crescendo as the horror matures. Author Josh Malerman grabs the reader by the collar and forces him to tear his hands from his face and gaze into the inky black.

This glittering piece of psychological horror is brilliant. Malerman’s style is fluid and manages to morph and mutate with the rise and fall of the suspense. In times of calm, his writing is straightforward and clear, rife with complicated sentence structures and rich vocabulary. When the tension escalates, the words become harsh—staccato and sharp, falling one after the next in a string of frenetic chaos. The action is revealed in almost surreal fragments that move from the present to the past, keeping the reader consistently off-balance and unsure, hesitant to turn the page and yet compelled to continue. Maternal instinct is turned into something stern and abrasive; evil hides behind smiling masks; and what lies in the dark becomes different depending upon the lens through which one views it. The intentional ambiguity of what is terrorizing the characters in this novel allows each reader to fill in the blanks with what one fears most, so the experience becomes intensely personal.

Malerman knows human nature and understands what scares us most. He also offers a ghastly grin in acknowledging that every single reader has to eventually close his eyes and be enveloped in the dark.

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Review: Stranger in the Woods

Stranger in the Woods Stranger in the Woods by Anni Taylor
My rating: 2 of 5 stars

Note: There are no overt spoilers here, but there are mentions of things that could lead the more astute reader to the plot twist.

Stranger in the Woods is a prime example of an author who just tried too hard. The dialogue, the threads of plot and the resolution all felt contrived and pushed the limits of credibility, whilst the equally implausible “twist” failed to impress and was guessable less than halfway through the novel.

When the story begins, Isla, a 26 year old Australian photographer, has decided to move beyond her comfort zone and accept a short term job in Scotland, creating a portfolio that reflects accomplished architect Alban. Alban and his wife Jessica have one child, 2 year old Rhiannon, and are still mourning the loss of their 8 year old daughter Elodie, who was abducted and died the same night Rhiannon was born. Isla is drawn to the mystery of who was responsible for Elodie’s death and finds herself drawn into a tangled web of lies and deceit.

My first problem is one of consistency that I am hoping is the result of poor Kindle editing and not careless writing. In one scene, Isla meets Trent, another Australian in Scotland, and is the target of marked hostility from the strange man. They meet once more at a house party, where Trent is confrontational, insisting he knows Isla, though she swears she has never met him. Later in the book, Isla tells another character, Aubrey, that Trent hit on her. It never happened. Then, on two separate occasions, the book mentions that Trent attempted to kiss her. Now unless that scene somehow ended up on the Kindle cutting room floor, that event never occurred. I even paged back through the entire story but was unable to locate the elusive kiss. If another reader finds it in the Kindle edition, I would appreciate a heads up. I just can’t imagine that I’ve missed it, but it’s possible.

The second issue with which I take umbrage is the author’s predilection for the advancement of her red herrings, particularly in the form of stilted dialogue and over-the-top feints. For example, when Isla and local school teacher Rory are discussing Elodie’s disappearance, their conversation is chock full of innuendo and inferred guilt.

“There has to be an answer in this somewhere.”

He studied my face with his intense blue eyes. “Yes,
indeed there does.”


These attempts to derail the reader and cast doubt are not only far too frequent but also distracting and obvious.

The next failure here is in the inclusion of too many plot threads. There is a lesbian love affair, a spotlight on epilepsy and how it can effect one’s lifestyle, the morality of surrogacy, mentions of cults, allegations of child abuse, and the list goes on. Some of these admittedly attempted to move forward the storyline, but some were extraneous and tested my patience. Championing one or two causes produces empathy. Taking on all of the ills of society just stretched my sensibilities to the point of being overwhelmed. It began to feel like one huge public service announcement attempting to hide behind an opaque narrative.

Finally, the resolution in the form of the book’s epilogue is rushed, ridiculously out of character for those involved and far too implausible to possibly believe. Once again, the author was maddeningly transparent in her haste to tie up loose ends and did so by telling the reader what happened rather than allowing it to unfold through the characters themselves.

In the end, there were just too many issues to find this one enjoyable. Two stars for effort.

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Review: Alter

Alter Alter by Jeremy Robinson
My rating: 3 of 5 stars

I picked up this read in an effort to step outside my usual genre choices. In doing so, I was once again reminded why I avoid novels that include elements that require a profound suspension of disbelief. If I don’t buy in, I tend to react with cynicism and sarcasm. With that said, it would be unfair to judge the work based on preference alone, and so I will try to pen this review based on the merits of the writing—and this author can definitely write, fueled by a rich imagination.

The story is one of a doctor, Greg Zekser, headed to the Amazon to offer medical aid. When the plane in which he is traveling crashes deep in the Amazon rainforest, the doctor is the only survivor. The rest of the book details his fight to survive, his communing with nature, and his descent into what is described as a dissociative state. As he reaches the height of hubris through his encounters with indigenous tribes, he also experiences a profound loss of his humanity. To return to the civilized man he once was will take courage, humility and patience.

On the surface, this plot outline is one that I would have probably enjoyed reading. Unfortunately, the author takes that giant step from the believable to the “yeah, right”, and in doing so just prevented me from fully investing. One example, and certainly not the only example, was in the relationship Greg builds with Ashan, a native woman he saves from being raped by two men from a rival tribe. When they first meet, they share no common language, and Ashan is portrayed as backward and feral. In short shrift, however, they are engaging in full conversation that includes innuendo and nuance suggestive of a mastery of English. Another example was when Greg befriends a jaguar, Oro, and grows to call her his daughter. It was just too fantastical (I’m trying to refrain from using Jungle Book and Tarzan comparisons), and perhaps there is the crux of my discontent. Had this been billed as a fantasy read, I may have just avoided it altogether. Instead, it was portrayed as a “man against nature” survival story, and as such I expected it to be at least believable.

Finally, I was uncomfortable with the author’s portrayal of the isolated tribes with whom Greg made contact. Aside from Ashan, each interaction was brutal, uncivilized and harsh, complete with poison arrows and loincloths. It just felt disrespectful and stereotypic in this current era of heightened cultural sensitivity.

Three stars, as all in all, this novel contained strong writing, a focused plot and sound structure. I simply wasn’t able to appreciate these elements and found them to be overshadowed by a heavy-handed inclusion of a series of fantastical events that impeded my ability to stay in the moment.

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Review: The Last of the Stanfields

The Last of the Stanfields The Last of the Stanfields by Marc Levy
My rating: 3 of 5 stars

The Last of the Stanfields just wasn’t, for me, an enjoyable read. In fact, I usually inhale a book like I’m gasping for breath (quickly and with great fervor), but this took me two full days of starting and stopping. I even contemplating shelving it before I’d hit the 50% mark. In the end, I slogged through and was left tired and honestly glad to have finished.

The premise is that of two strangers, Eleanor-Rigby Donovan and George-Harrison Collins, receiving nearly identical letters, the contents of which call into question everything they think they know about their mothers. The anonymous writer of these letters orchestrates a blind meeting for the two in Baltimore, as Eleanor-Rigby travels from England and George-Harrison from Canada. Together they embark upon a mission to uncover the truth behind a specific accusation leveled in the strange letters—that both of their mothers were involved in a significant crime.

The book is structured primarily as a first person narrative from Eleanor-Rigby’s POV. With that said, alternating chapters are told in third person. The reader travels from Baltimore, Maryland in the 1980s to war-torn France in the 40s, then to England, Canada and the US in 2016. It’s a dizzying journey that made me want to grab the author by the shoulders and scream “FOR GOD’S SAKE STOP!” It was just overwhelming, disjointed and frenetic.

Add to the structural chaos the fact that there were just too many extraneous and unnecessary plot threads, characters and details. The reader learns about Eleanor-Rigby’s family through painful specifics that lent nothing to the story. Her father loves his car, her brother is on the spectrum and works in a library, her sister has a boyfriend who owns a pub, and on, and on, and on. The author’s attention to the trivial carries through each chapter. It’s as if he is trying too hard to infuse an air of authenticity to the work, when instead the overwhelming minutiae serves only to suffocate the story. Mark Twain once said, “When you catch an adjective, kill it. No, I don't mean utterly, but kill most of them--then the rest will be valuable. They weaken when they are close together. They give strength when they are far apart.” I believe the same holds true for intricacies offered in isolation. Twain would have hated this piece.

In the end, I wasn’t sure exactly who the target audience was here. History buffs are plied with chapters that skip through France on the heels of an American who joins forces with the French Resistance circa 1944. Romance readers are served a secondary love story. Those who enjoy the mystery genre are presented with a puzzle that is challenging. For me, this scatter-shot approach was simply disconcerting. Sometimes there is wisdom in choosing depth over breadth.

If you love history and don’t mind tangential forays and painfully detailed accounts of events, you may enjoy this. Three stars for the primary plot and the addition of an interesting twist. Just not my cup of tea.

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Review: The Last Days of Jack Sparks

The Last Days of Jack Sparks The Last Days of Jack Sparks by Jason Arnopp
My rating: 4 of 5 stars

I finished this gem about an hour ago and have struggled with how to even begin a review. The book is way outside my wheelhouse in terms of genre, assuming its place is in the horror niche, but even casting it as such feels less than genuine. Trying to nail down exactly where it does belong, however, is like trying to capture smoke in a jar, as elements of horror, fantasy, the supernatural and parody are all present to varying degrees.

The novel is presented as a posthumous publication of work done by British journalist and social media star Jack Sparks as he sets out to discover the truth behind paranormal phenomena. It is Jack’s brother Alistair who has not only released but also in places annotated the manuscript for public consumption. In acknowledging this fact, the reader is left with the quandary of the unreliable narrator. Is it Jack we believe, even after discovering the depth of his self-deception, or is it Alistair, who suffers a brutal character asassination in his brother’s depiction of events? The book reads very differently once one decides where to parse the line between accounts. If the reader is to take Jack’s retelling at face value, the manuscript exposes dark supernatural forces that seek revenge as a consequence of his “politically-incorrect” gaffe when observing an exorcism. These other-worldly entities, along with his hyper-inflated ego and desperate need for attention, conspire to drag him straight to the bowels of hell. On the other hand, Alistair’s after-the-fact commentary paints the entire piece as nothing more than a product of his brother’s drug-addled mind, fallen prey to Jack’s own narcissistic ambition. The irony here is that the man Jack initially portrays himself to be, then later renounces, is precisely the man Alistair appears to become following the publication of Jack’s work.

What blew me away was the structure. As the author travels from the past to present, the future to the past, every detail becomes a stolen jewel cleverly hidden in plain sight. Seemingly inconsequential items are revealed to be of tremendous significance in a denouement that left me slack-jawed and reeling. I would be remiss if I didn’t also mention the profound “creep” factor. It is 4 am here, and I have little hope of seeing any peaceful sleep. Seriously. This one just crawled under my skin, where it is festering.

Read it with the lights on.

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Review: Ultimate Error

Ultimate Error Ultimate Error by James D. Tesar
My rating: 1 of 5 stars

So where to start. First, unique premise—a bacteria that eats oil is unleashed within the US and, through a series of misadventures, finds its way around the world triggering an extinction level event. The idea held promise. So. Much. Promise. And whilst hope springs eternal, this author killed that promise in a murderous attack on every convention of the English language. Oh, for an editor....or just a reader with one whit of schooling!

Let’s begin with a nod to two of the main characters—Lucy and her son Ricky. Now had this piece been written as a satire or parody, those two names seen together would have perhaps elicited a smile from the reader. After all, I loved Lucy! Clearly, however, this wasn’t the author’s intent, as the entire book is completely devoid of any humor...at all. ::face palm here for effect:: Seriously, no early reads of this mess caught that? ::shaking my head::

Next, a little English lesson (or two). “Your” is possessive—example: “Your book is riddled with errors”. “You’re” is a contraction of “you” and “are”—example: “You’re in need of an editor”. Moving right along, note the difference between “herd” and “heard”—it’s important. I won’t offer examples for this one because, really, it is second grade stuff. Further errors include mistakes in spelling, grammar and punctuation that can be found on every other page. To make matters worse, there’s the issue of structure. I can’t even begin to explain the way this piece was put together. It is almost as if it’s an attempt at “stream of consciousness”, bouncing from one scene to another without the benefit of any transition. Dissecting it to make any sense is a Sisyphean task and brought me back to my days of stewing over Finnegan’s Wake . Here, however, the writing doesn’t offer the benefit of author intent but instead shines a bright light on a profound lack of either care or talent. What is described in the book summary as this author’s “unique writing style” is truly the stuff of an English teacher’s nightmare.

As if all of the above is not enough to send this down in flames, and to add insult to injury, the author even manages to mangle his contemporary cultural references. For the love of God, man, Drew Carey never hosted Wheel of Fortune! It’s Pat Sajak. And Vanna. The game show that is referenced should have been identified as The Price is Right, and even then the big wheel spin is NEVER for a million dollars as stated—it’s $1000. ::another face palm::

Finally (although I could probably gripe about this one forever), when the author attempts to build suspense, then turns around and completely blows it out of the water by spilling the ending at the 75% mark, it’s time to step away from the book. Unfortunately, I’m a glutton for punishment and pushed through, red-penning each page in some misguided attempt to find value. Note—there was none. The grand finale was nothing more than a thinly veiled promo for this guy’s sequel.

Don’t do it. Don’t support an author who can’t be bothered to proofread. If you decide to ignore this warning, open the cover at your own peril.

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Review: Beautiful Ruins

Beautiful Ruins Beautiful Ruins by Jess Walter
My rating: 4 of 5 stars

This gem of a read by Jess Walter can be summarized in a single quote from its pages—“life is a glorious catastrophe.” Beautiful Ruins is, at once, laugh out loud funny and heart wrenchingly sad; a tale that is so tragically beautiful that I was left in tears and with a heaviness that lasted long after I’d read the final page; a satire that bites with shark teeth and makes no apologies.

To layout the plot here would take hours, and it is only in that singular detail that the book falters. Walter takes on the past, blending just enough factual information that his historic recreation carries with it whiffs of truth to make believable all that is added. Additionally, this author slips from days gone by into the present as if time traveling between significant moments in the lives of his characters. It is, however, an overwhelming approach that forces the reader to work in an effort to separate plot lines as they crash together at various intersections, then veer wildly onto their own paths.

The structure aside, Beautiful Ruins is full of rich settings, startling narrative and gritty dialogue. It is these elements that bring to life a quiet Italian village, a bombastic actor in his prime and an idealistic young hotelier caught between his youth and maturity, straddling the fence as he searches for meaning in his very existence.

The themes addressed by Walter underpin his novel with not only the mundane (how did I get here? Is this where I want to be?), but also the more heady and introspective universals (why do I exist at all?). Each character is in some way chasing these answers and wrestling with his place in the bigger picture. Some find direction early, giving the reader an optimistic view of the possibilities in youth. Others live with tinges of regret not reconciled until very late in life, and it is here that the heaviness of “the road not taken” settles in and gnaws at the reader. That our choices have consequences is nothing new, but Walter’s exploration of those consequences is nothing short of genius. The bad guy doesn’t always finish last and the hero doesn’t necessarily receive the spoils. Life isn’t fair; deal with it.

Finally, chapters here take a swipe at the start of the New Hollywood era of film making, when location shooting was all the rage and the stars seemed to be virtually untouchable. Walter knocks a few of the 60s icons off of their pedestals by coaxing them from their ivory towers to give us a glimpse behind the gossamer curtain—a fictional expose that is laced with searing commentary. He does so with a forked tongue that strikes without warning and, just as quickly, retreats.

I absolutely loved this book, as I have loved everything I’ve read by Jess Walter. It is his ability to cut straight to the truth, even if he breaks your heart in doing so, that keeps me returning to his body of work. If you are young, read this as a cautionary tale. If, like me, you’ve passed the point of middle age, this piece may resonate and bring to the surface your own regrets. Either way, this is one not to be missed.

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Review: My Sister, the Serial Killer

My Sister, the Serial Killer My Sister, the Serial Killer by Oyinkan Braithwaite
My rating: 3 of 5 stars

This relatively short novel had been showing up on my recommended reading list from Amazon for a few days before I finally decided to give it a go. First and foremost, it was an easy read. I do think, however, that it would have been more enjoyable had I gone in with some understanding of the structure of Nigerian society and the social mores that support it. The contemporary references and modern themes did in the end resonate enough for me to find the book enjoyable.

The story revolves around two sisters—the stunningly beautiful Ayoola and her older less attractive sister, Korede. Ayoola systematically picks off each of the men she dates, whilst the perpetually single Korede does her best to (literally) mop up the messes Ayoola leaves behind. Each sister is developed as a stereotype, as the vapid beauty sweeps through life with the expectation of being untouchable, whilst the unattractive woman remains stalwart.

Whilst I fully appreciated the allusions and shout outs to millennial culture, the catalyst that shaped the actions of the two main characters (their abusive father’s cruelty) left me confused. Was his abuse borne of a dated patriarchal society that views women as possessions or was he just a sadistic prick? Was Korede’s allegiance to her sister one that grew from a cultural loyalty to family or was she so severely misguided that any sense of morality took second place to her sister’s needs? In the end, I was honestly left wondering whether Ayoola or Korede was more intrinsically flawed.

Definitely an interesting novel that ended both unexpectedly and uncomfortably. Best read as a parody of the genre, appreciated for its dark humor and accepted at face value without too much analysis.

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Review: Something In The Water

Something In The Water Something In The Water by Catherine Steadman
My rating: 2 of 5 stars

Occasionally, I read a book and find, about halfway through, that I’m struggling to stay focused. Something in the Water is a prime example of just that kind of read. The writing is extremely mediocre, the characters are flat and poorly developed, and the plot exists just this side of “you’ve got to be kidding.”

Firstly, I appreciate a book full of complicated and varied grammatical constructs and diverse vocabulary—neither of which is present in this novel. Every single page is instead littered with short, clipped sentences. For example:

“I fumble to turn it off. I do what I’m told. It’s the worst possible idea in this situation, but there is no other option. I could call out to the guards, but this isn’t like that. It’s not that sort of situation. Something else is going on here.”

I suppose it could be called a stylistic choice, but for me it just comes off as amateurish and bland, a flat approach that made reading that much more difficult.

The characters themselves are another point of contention for me. Erin is a film maker, focusing on documentaries and making a decent living. Her husband Mark is in banking, though early in the novel finds himself out of work. Neither is particularly likable, and in fact both border on just this side of ridiculously inept. They stumble along, professing their love for one another whilst wallowing in lies and deceit. Their self-centered actions paint a couple without empathy, understanding, compassion or morality. I honestly couldn’t have cared less what happened to either of them.

Finally, the plot is absurdly inane. Without spoilers, suffice it to say that I didn’t for one moment believe the story enough to become even marginally invested. Based on the background provided, the disconnect between the characters and their actions is far and wide, a chasm that deepens with every chapter.

All in all, my advice is to walk away from this one. With so many more options in the genre, your time could be better spent.

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Review: Shopping for a Baby's First Christmas

Shopping for a Baby's First Christmas Shopping for a Baby's First Christmas by Julia Kent
My rating: 1 of 5 stars

Where to begin....this was just THAT bad. In fact, I must admit to only having made it to Chapter 8. It was then that I had to end the suffering—my suffering—and close the cover. I found this book listed in the “humor” genre, though I’m convinced that had to be a categorical mistake. At no time whilst reading those first eight chapters did I so much as crack a smile. The dialogue was forced and stilted, the characters shallow, pretentious and singularly focused, and the entire premise just silly. Move along and save yourself the time and energy of trying to invest in a story that never leaves the starting gate.

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Review: The Financial Lives of the Poets: A Novel

The Financial Lives of the Poets: A Novel The Financial Lives of the Poets: A Novel by Jess Walter
My rating: 5 of 5 stars

Jess Walter has, in short shrift, become my single favorite contemporary author. I was first introduced to his work through his contribution to the series of short stories in the Amazon Warmer cli-fi collection, where he was absolutely brilliant. This innovative novel has only solidified my fan status.

The Financial Lives of the Poets opens with an introduction to Matt, an out-of-work journalist fresh off of a failed business attempt to meld poetry and financial articles in an online format—and in debt up to his eyeballs. The piece then proceeds to chronicle Matt’s desperate, yet hilarious, attempts to save his home, his family and himself. From his first encounter with a group of twenty-something stoners at a 7/11 to his eventual run in with law enforcement, Matt stumbles forward whilst consistently taking two steps back. His less-than-truthful wife, his increasingly senile father and his new weed-smoking friends are all along for the ride and add just enough color to keep the reader from falling into a funk over the existential overtones that don’t reconcile until the bitter end.

The novel moves between chapters, intertwining prose and poetry in a Shakespeare-worthy plot that hovers somewhere between comedy and tragedy. The writing in both formats is beyond genius, as evidenced here, in a passage that left me in awe of this writer’s talent: http://a.co/3FjGtNN.

This is a novel for those who love language and can appreciate a dry wit that is at once self-deprecating and self-indulged. If I could rate this beyond five stars, I absolutely would do so. For now, however, five will have to suffice! If you haven’t yet read Jess Walter, this is the perfect place to start.

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Review: Verity

Verity Verity by Colleen Hoover
My rating: 2 of 5 stars

Ok, this one has me scratching my head. I chose to read this piece of nonsense based on the myriad 5-star reviews on Amazon—I’m talking HUNDREDS. Now there are two reasons this novel may have so much positive feedback. First, it could be that there are hundreds of readers who don’t often step beyond this author’s normal genre (of which this book did not belong) and are simply ride-or-die fans. Second, it could be that I’ve gone round the twist and am missing the value. I’m betting on the former.

The writing here is, admittedly, pretty amazing. Character development and plot movement, as well as the establishment of tone, is all done masterfully. What is ludicrous, however, is the plot itself.

**SPOILER ALERT AHEAD** Verity is a well-known and well liked author with a huge fan base. She and her husband lose their young twin girls some months apart in separate tragedies, then Verity herself is in a car accident. The accident leaves her in a semi-vegetative state, unable to move or communicate. Her husband seeks to hire an author to finish the last three books his wife had promised as part of a series of nine. In steps Lowen, a talented author in her own right, though certainly not as famous as Verity. She travels to the couple’s home, where Verity is under constant care (fed, diapered, etc.), in order to look over the woman’s notes in preparation for the writing Lowen has been commissioned to complete. Whilst rummaging through Verity’s office, and falling in love with Verity’s husband, Lowen discovers a manuscript that is supposedly an autobiography written by Verity before her accident. It is beyond disturbing and paints the now comatose author as a raging psychopath who despised her twins, feeling only raging jealousy at the attention they garner from their father. So far so good, right? Here’s where it all goes to hell. VERITY IS FAKING HER INJURIES. Really? Doctors and nurses, specialists in their respective fields, can’t tell SHE IS FAKING IT?? For MONTHS? She has been cleaned, turned and fed and NO ONE KNEW? Additionally, we are to believe that she wrote the most disturbing things about herself and her children and labeled the manuscript an autobiography as a WRITING EXERCISE? What woman writes that she tried to abort her own children with a coat hanger as part of an exercise?? I could go on and on but I think you get the picture. Absurd is the only word that adequately conveys the entire premise.

I wish someone, anyone, would have said to this author, “hey, you’re damn good, but this story just doesn’t make an iota of sense.” I’m left wishing back the hours it took me to read this insanely ridiculous drivel. Two stars for the obvious talent, but nless you are a die-hard fan of this writer, I’d skip this one altogether.

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Review: Perfect Match

Perfect Match Perfect Match by Zoe May
My rating: 3 of 5 stars

Perfect Match started with so much potential! Sophia is a young woman desperately seeking Mr. Right, watching as her friends find love in what seems to be an effortless fashion. She, however, is stuck on a carousel of revolving dates, courtesy of a plethora of online match-making sites. When she is finally paired with a man who is everything she thought she wanted, she discovers that her “perfect match” may actually have been the one she left behind.

What really bothers me here is that the author pits passion and lust against comfort and reliability, seeming to imply that the pairs are mutual exclusive. I believe in love at first sight, white horses carrying knights in shining armor and happily ever after. The author, however, portrays such things as trivial and superficial, insisting instead that relationships that last are built upon a slowly emerging attraction made stronger through familiarity and trust. It just grated on my sensibilities and rained on my Disney-themed parade.

My second issue with the novel is that the final two chapters seemed rushed and arbitrary, as if the author was either facing a looming deadline or simply ran out of steam. It was as if she was saying, “to sum it all up...” and then followed with a running narrative to put this one to bed.

Overall, good writing, a bit of Brit humor and a dog of an ending.

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Review: Method 15/33

Method 15/33 Method 15/33 by Shannon Kirk
My rating: 4 of 5 stars

I just finished this in under three hours, and I am still catching my breath. The character development here was so cleverly done that I found myself completely immersed in the horrifying situation of the main character—a fiercely independent and borderline sociopathic pregnant teenager kidnapped on her way to school. In light of her vengeful and intense personae, she is not particularly likeable, and for one to admit to finding her admirable seems somehow misguided. With that said, however, I found her to be irresistible in much the same way I viewed Lisbeth Salander in the Larsson trilogy. It’s difficult not to see the similarities in the way both characters rise above their respective situations and become almost otherworldly as they exact their revenge upon those who have wronged them. Both also possess a chameleon-like ability to navigate societal norms—living on the very fringe whilst maintaining the external facade of appropriate behavior. Beneath that false exterior, however, lies something dark and menacing, a guilty pleasure for whom the reader privately cheers.

The book summary covers all the basics—but know that the writing in this novel is beyond reproach, full of complicated grammatical constructs and carefully chosen vocabulary. The author also shows an extraordinary attention to detail. Much of what could be construed, upon a superficial reading, as unnecessary triviality actually served to provide brief respites from the intense plot movement and allowed the reader to come up for air before once again diving into the deep end.

Overall, a mind-numbing read that finished far too soon!

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Review: Relatively Normal

Relatively Normal Relatively Normal by Whitney Dineen
My rating: 4 of 5 stars

Relatively Normal is perfect for anyone who is a part of a family deemed to be just a hair off center. Catriona, the main character in this wonderful romp of a read, is a seemingly well adjusted woman. She has a lucrative career, a handsome fiancĂ© and a bright future in NYC. She also has a mother obsessed with kitchen gadgetry, a father who dresses dead mice according to the time of year, and a grandmother who speaks her mind, usually at the most inopportune moments. When her rather uptight husband-to-be finally meets Cat’s clan, the results are both hilarious and life-altering, as Cat issues forced to choose between a life of quiet predictability and one of fireworks and passion.

The author leads the reader through the travails of this novel without resorting to sappy melodrama, as scene after scene builds to what is the single downfall of the book—a predictable finish with extraneous details that seemed to be an afterthought (Travis and his disappearance). I found the treatment of Travis and his reemergence to be trite and lacking in details that a little research may have provided. Other than this single blip, I fully enjoyed every page.

A great holiday read that will make you appreciate family!

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Review: Ash

Ash Ash by Tom Abrahams
My rating: 3 of 5 stars

Post-apocalyptic fiction is my guilty pleasure. For that reason alone, and without reading reviews, I picked up this novel and dove in. In retrospect, I should have been a tad more cautious and perhaps dipped my feet in the pool by actually perusing those reviews. Had I done so, I may have decided to forgo this one altogether.

First, the overall premise is a nuclear disaster—unusual in this day of authors preferring decimation via EMPs. The story is set in and around LA, which is ground zero for the blast, and not far (relatively speaking) from the college campus where several of the characters are located. In addition to the collegiate contingency, other characters include an immoral former con and an ex-military guy and his dog. Chapters initially rotate perspective between these characters until finally they are brought together through circumstances best described as coincidental.

The characters themselves are fairly well rounded and brought to life, each staying true to their prescribed personalities. My issue is with the “organization” that pulls them to common ground—the Oasis. Without spoilers, suffice it to say that this is where the plot goes off the rails and never really returns to the tracks. It was next to impossible to suspend my disbelief long enough to swallow the premise and made the read difficult at best, often bordering on simply ridiculous.

My recommendation here is to pass and find something else in this genre.

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Review: The Great Ex-Scape: The riotous new romantic comedy from the author of Love to Hate You

The Great Ex-Scape: The riotous new romantic comedy from the author of Love to Hate You The Great Ex-Scape: The riotous new romantic comedy from the author of Love to Hate You by Jo Watson
My rating: 4 of 5 stars

This was a delightful piece of decidedly “chick lit”—a rom com that had me smiling, then giggling and, at times, even laughing out loud (much to the dismay of my sleeping husband).

Val is infatuated with her “pal” Matt, despite him referring to her as “dude” and treating her like one of the guys. Unrequited though her love may be, she persists—until the moment she attempts to give a speech at his engagement party. What ensues is hilarious and piteous, a series of fast moving events that land Val in Reunion, an island she never knew existed. Her misadventures there lead her to Alex, a man trying desperately to recover from some humiliation of his own. Together they vow to follow a magazine article’s ten steps to “get over” their respective exes. Their experiences as they traverse the island and work through the recommendations of the ten-step process are nothing short of magical.

For me, given the genre, this would have been a five star but for the ending. It felt like a cheap plug for this author’s next novel and for me seriously ended the whimsy and romance that had been so well conveyed.

Overall, a great read when you just need a pick me up or a smile!

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Review: When the Power Is Gone

When the Power Is Gone When the Power Is Gone by P.A. Glaspy
My rating: 1 of 5 stars

I hate to trash a novel, particularly when the majority of the reviews on it are absolutely glowing. With that said, this was just....well....unfortunate. The premise here is that an apparent EMP has been detonated, leaving a wide divide between the haves and the have-nots. The perspective of subsequent events is from the “haves”, preppers who spent years building up stores for just such an event.

The story opens with a VERY brief introduction to two of the main characters—Ann and her son Rusty. When the power goes out, it takes less than a minute for this Tennessee mom to realize what has happened. It was just too....quick I guess. From there, the “happy coincidences” just keep rolling through. Russ, Ann’s husband, is conveniently close to home and also realizes that this is a catastrophic failure of the entire power grid. Rusty, conveniently, hasn’t yet boarded the bus for school. And the supplies and equipment this family, in conjunction with a mirrored family of three, has managed to accrue! They’ve built Faraday cages, grown tons of their own food, raised rabbits and chickens, and hoarded enough “stuff” to tide them over for years. When the novel starts telling us about their preps, easily stored food and loads of water, I was buying in. When we are made aware of the fact that this family has even changed the axels on a truck to allow it to carry more weight, purchased plywood sheets to cover all the windows should that even be necessary, purchased sun showers by the half dozen and started colonies of bees at a nearby farm, it just seemed a little far fetched.

Look, this writer has promise. A good editor and some tweaking, and this could actually work. For me, however, it appeared to be more of a propaganda piece written to cast a positive light on preppers. It was preachy, the writing was basic, and the premise, whilst intriguing, was just not fully developed enough to make this a viable stand alone.

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Review: The Killer Next Door

The Killer Next Door The Killer Next Door by Alex Marwood
My rating: 4 of 5 stars

This novel was a surprise for me—I expected a quick read that wouldn’t necessarily immerse me in the pages but was instead pulled in to an intoxicating tale of secrets, lies and murder. The characters here were developed with beautiful cruelty—a young woman of color trying to outrun her debilitating past; a woman mired so deeply in her own history that she rarely leaves the comfort of her home; and an on-the-lam former bookkeeper who fleeced her former boss and carries with her the burden of bearing witness to his murderous predilections. Other characters are presented as archetypes and referred to by generic titles such as Landlord and Lover, each creepy and disturbing.

Whilst the story is told in a whirlwind of intertwined events that at times were too often beyond the realm of possibility, the author manages to keep the reader turning the pages. Red herrings abound, but the reader discovers the thinly veiled truth about the primary murderer’s identity at around the 60% mark. It’s at that point that I felt things began to come apart a bit. The unraveling of the last 40% added more balls for the writer to juggle instead of more fully exploring one track. A more defined focus on even one or two of the murders/circumstances/corpses would have certainly provided enough of a catalyst to bring this to a close. Instead, bodies are mummified, crushed into dust, left to putrefy and blown to smithereens, by a cast of unlikely participants. Four stars for the brilliant character development and the author’s ability to spin a yarn, but the too-convenient and seemingly rushed ending, coupled with just too much going on at once kept this from the five star bar.

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Review: Love You Gone

Love You Gone Love You Gone by Rona Halsall
My rating: 3 of 5 stars

How far would you go to protect your children? That is the question that propels the plot of this fast-paced, though clumsy, novel. A recently widowed father, Luke, reunites with his estranged family just before meeting Mel, a bunny boiler who turns his life upside down. The problem for me was that I just never liked Luke. Although he is painted as the grieving widower, for me he appeared both spineless and immature. His self-centered global view, though certainly heavily tainted by loss, just left me wanting to bitch-slap him and scream “grow up”! In fact, I don’t think there was a single character here whom I could actually say I liked. Each is so wrought with deep-seated character flaws that I was simply left racing through in a herculean effort to just finish it and find another read. Good writer, just not my cuppa.

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Review: The Perfect Family

The Perfect Family The Perfect Family by Shalini Boland
My rating: 3 of 5 stars

Three stars for this rather average novel that never really had me guessing, as the predictable ending was crystal clear less than halfway through the door. This could have been great. A little more time spent developing the red herrings (Rebecca) would have perhaps served to add the suspense I believe this author was attempting to create. Instead, too much time was taken showing us an overworked mother with zero time management skills, a father more concerned with his business than his family, and a calculating self-professed home wrecker who stretches this reader’s ability to buy into the implausible plot.

A good beach reach that moves quickly if you don’t stop to think about it for too long. Note to author: please, please, please hire an editor who understands punctuating dialogue. Missed quotation marks and misplaced commas were a huge distraction and made me believe that such carelessness was indicative of an author racing against a deadline—very disconcerting.

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Review: The Hillside

The Hillside The Hillside by Jane Smiley
My rating: 1 of 5 stars

Horses talk, ravens gossip and humans exist in small, closely monitored colonies—such is the world created by Jane Smiley in this less-than-stellar offering that is part of the Warmer collection of cli-fi shorts. Smiley turns the world on its ear as animals and human beings trade places in the earthly hierarchy dictated by evolution gone amuck. Whilst I will concede to the fact that this was a “cute” premise (that, theoretically, could be construed as an indictment of our current society), it just didn’t follow through on the promise I felt it held in the first two pages. Nice idea—poor execution.

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Review: The President Is Missing

The President Is Missing The President Is Missing by Bill Clinton
My rating: 3 of 5 stars

First, I respect both of the men who collaborated on this—one for his consistent ability to pen best sellers and the second for political reasons that transcend the scope of this novel. With that said, I soooo wanted to love this! In the end, however, it was just “eh”.

President Duncan, the sitting US president, is mourning the premature death of his wife, keeping quasi-tabs on his daughter and trying to save the United States from a promised terrorist attack that will send the country reeling into the “dark ages”. Whilst keeping all these balls in the air, he is also facing impeachment at the hands of both the ruthless Speaker of the House and the Vice President, who maintains aspirations of the Oval Office and harbors ill-will at having been pummeled during the primaries. When contacted by a terrorist claiming to have information that will help Duncan thwart the attack, the president goes off the grid to attempt to neutralize the threat.

Without providing spoilers, I will say that I enjoyed the plot turns that occurred seemingly out of nowhere and just when the reader believed the way was clear. It’s like going to a restaurant and discovering it’s just a front for a high stakes poker game in the back room. Beyond that, however, I found the presidential discourse from Duncan to border on rhetoric that made me wince in its banality. Additionally, I thought the book was slow and depended upon a “what if” instead of “it happened; now what” approach. The result was a meandering through some suspenseful situations that never really involved much beyond a lot of talking and never evolved beyond the conversation.

Overall, I enjoyed the writing, but I felt the plot needed some work to grab and maintain reader interest.

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Review: At the Bottom of New Lake

At the Bottom of New Lake At the Bottom of New Lake by Sonya Larson
My rating: 1 of 5 stars

I’m no less than completely confounded by the rave reviews for this piece of the Warmer collection. The warring perspectives of youth vs. age just didn’t work. Whilst one might expect stubborn resistance to learning to walk in another person’s shoes from a teenager, that same fundamental character flaw in an adult, especially a teacher, is reprehensible. I didn’t find the dialogue to be believable, and the #girlcrush that ostensibly served as a foil to the snarky adolescent attitude seemed out of place and arbitrary. Not a hit for me.

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Review: Controller

Controller Controller by Jesse Kellerman
My rating: 1 of 5 stars

One star...it was just that bad. Ridiculously unlikable characters, a dismal setting and no real plot all work together to make this a short story you will want to consider skipping altogether...unless you’re masochistic beyond measure.

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Review: Falls the Shadow

Falls the Shadow Falls the Shadow by Skip Horack
My rating: 1 of 5 stars

I desperately tried to follow along through over-zealous internal character dialogue, over-the-top stereotypes and implausible plot lines—the key word being “tried”. I even attempted to reread it, convinced I’d missed something the first time around. (I didn’t). An ex-military mountain man turned commercial flash-in-the-pan star, an arrogant prick of an accidental millionaire and a boot-wearing hat-holding cowboy—there ya go. That’s the entire story. Oh, and a photo of a collared polar bear—mustn’t forget the bear. Now you know as much as I did after my two close reads, so you needn’t bothering reading this tripe. You’re welcome.

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Review: The Way the World Ends

The Way the World Ends The Way the World Ends by Jess Walter
My rating: 5 of 5 stars

I absolutely LOVED everything about this...novella? short story?! At any rate, it was just positively brilliant. From the cast of professor-types that both fed into and defied stereotypes (the sulking English professor; the overly perky meteorology instructor; two zealous geology professionals interviewing for a teaching opportunity that seemed to be beneath them both) to the incorporation of timely political commentary (our orange leader; old, white conservative men; etc.), this clever societal condemnation delivers what we all so desperately need—hope. That promise of possible salvation is provided by Jeremiah, the rainbow-engine that kept this train moving. Though this character is infused with the innocence of a child seeking self-knowledge and desperately turning to the adults for answers, he is also the catalyst for the final illumination. The reader is led to the revelation that whilst the future may be dark, we most certainly have not yet exhausted possible solutions.

Full of cleverly written humor, snarky phrases and word choices that may even make the reader snort, this piece is one that has sent me immediately to the author’s page in search of more of his work. Seriously folks—one of my all time favorite reads.

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